{"id":1687,"date":"2022-08-16T20:58:57","date_gmt":"2022-08-16T18:58:57","guid":{"rendered":"https:\/\/sarahluck.com\/?post_type=jetpack-portfolio&p=1687"},"modified":"2022-08-16T23:05:45","modified_gmt":"2022-08-16T21:05:45","slug":"octopolis","status":"publish","type":"jetpack-portfolio","link":"https:\/\/sarahluck.com\/index.php\/portfolio\/octopolis\/","title":{"rendered":"Octopolis"},"content":{"rendered":"\n

Maquettes. Exposition Centre d’art contemporain Pontmain, 2022.<\/p>\n\n\n\n

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\"OCTOPOLIS\"<\/figure>
\"OCTOPOLIS\"<\/figure><\/div><\/div>
\"OCTOPOLIS\"<\/figure><\/div>
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\u00c0 la mi-mars 2020, un nouveau mot fait une irruption fracassante dans notre vocabulaire et notre quotidien, celui de \u201cconfinement\u201d. Pour continuer son activit\u00e9 artistique, Sarah L\u00fcck entame une s\u00e9rie de maquettes pr\u00e9sent\u00e9es \u00e0 l\u2019\u00e9tage du centre d\u2019art : sur huit socles en ciment, l\u2019artiste installe ses petits mondes miniatures avec le d\u00e9sir d\u2019y plonger, de s\u2019y \u00e9vader.<\/p>\n\n\n\n

En parall\u00e8le, elle d\u00e9couvre l\u2019existence d\u2019une ville baptis\u00e9e Octopolis par une \u00e9quipe internationale de chercheurs qui exploraient la baie de Jervis, au large des c\u00f4tes est de l’Australie. Situ\u00e9e entre 10 et 15 m\u00e8tres sous la mer, mesurant 18 m\u00e8tres de long sur 4 de large, cette ville a \u00e9t\u00e9 construite par des poulpes : elle poss\u00e8de des murs et m\u00eame des tani\u00e8res sous-marines \u00e9rig\u00e9s avec du sable et des coquillages, probablement les restes d’anciens repas. Autre donn\u00e9e \u00e9tonnante : les pieuvres d’Octlantis vivent r\u00e9ellement ensemble. Elles se regroupent, communiquent, et se battent pour chasser d’autres pieuvres tentant de s’emparer de leur habitat.<\/p>\n\n\n\n

L\u2019imaginaire de cette ville de poulpes est venu se m\u00ealer aux maquettes de Sarah L\u00fcck : toutes diff\u00e9rentes, ces huit micro-cit\u00e9s arborent parfois des allures constructiviste, parfois minimales, parfois elles ressemblent plut\u00f4t \u00e0 un playground, une aire de jeu aux accessoires \u00e9tranges. Le verre y croise le b\u00e9ton, le balsa, le plexiglas, le carton et le pl\u00e2tre. Enfin, nouveaut\u00e9 du confinement, la sculpture en taille directe sur bois de tilleul et sur pierre fait irruption dans la pratique de l\u2019artiste.<\/p>\n\n\n\n

Eva Prouteau, critique d\u2019art. Extrait du texte d\u2019exposition Centre d\u2019art contemporain Pontmain, 2022.<\/p>\n","protected":false},"excerpt":{"rendered":"

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