{"id":1696,"date":"2022-08-18T22:37:00","date_gmt":"2022-08-18T20:37:00","guid":{"rendered":"https:\/\/sarahluck.com\/?post_type=jetpack-portfolio&p=1696"},"modified":"2024-05-29T14:01:20","modified_gmt":"2024-05-29T12:01:20","slug":"escalier-de-23h23","status":"publish","type":"jetpack-portfolio","link":"https:\/\/sarahluck.com\/index.php\/portfolio\/escalier-de-23h23\/","title":{"rendered":"Escalier de 23h23"},"content":{"rendered":"\n
Installation. Exposition Centre d’art contemporain Pontmain, 2022.<\/p>\n\n\n\n
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LA VIE DES LIGNES<\/p>\n\n\n\n
Au d\u00e9but du XXe si\u00e8cle, les avant-gardes primitivistes trouvent dans la simplicit\u00e9 g\u00e9om\u00e9trique et la mat\u00e9rialit\u00e9 brute des totems le chemin de l\u2019abstraction. L\u2019archa\u00efsme resurgit \u00e9galement \u00e0 cette m\u00eame \u00e9poque : les grottes, les alignements m\u00e9galithiques ou les tertres fun\u00e9raires fascinent les sensibilit\u00e9s, soucieuses de la v\u00e9rit\u00e9 des mat\u00e9riaux, et privil\u00e9giant la technique de la taille directe, travaillant artisanalement des blocs de bois ou de pierre. La verticalit\u00e9 et la colonne, symboles des d\u00e9sirs d\u2019\u00e9l\u00e9vation, deviennent l\u2019image de l\u2019axe du monde (axis mundi), qui relie le terrestre et le c\u00e9leste. Constantin Brancusi en r\u00e9alise la synth\u00e8se abstraite avec la Colonne sans fin, qui pose d\u2019importants jalons comme l\u2019abandon du socle et la r\u00e9p\u00e9tition de modules g\u00e9om\u00e9triques. Il semble que les installations de Sarah L\u00fcck assument l\u2019h\u00e9ritage de cette pens\u00e9e du cairn primitif et de la colonne, motifs r\u00e9currents dans l\u2019exposition. D\u2019autres tensions s\u2019expriment dans ses formes : hautement graphiques, certaines structures effil\u00e9es \u00e9voquent les principes d\u2019une sculpture lin\u00e9aire, permettant d\u2019\u00e9crire et de dessiner dans l\u2019espace, en cernant une dynamique essentielle par la ligne, la transparence et le vide. Entre plane\u0301ite\u0301 et volume, ces \u0153uvres jouent de l\u2019ombre qu\u2019elles projettent, qui rappelle leur mate\u0301rialite\u0301 ajoure\u0301e. Enfin, le motif circulaire et la vibration ondulatoire des surfaces, que le mat\u00e9riau soit sculpt\u00e9 par l\u2019artiste ou d\u2019origine industrielle, se manifestent dans plusieurs installations.<\/p>\n\n\n\n
Eva Prouteau, critique d\u2019art. Extrait du texte d\u2019exposition Centre d\u2019art contemporain Pontmain, 2022.<\/p>\n\n\n\n
Installation. Exposition Centre d’art contemporain Pontmain, 2022. LA VIE DES…<\/p>\n","protected":false},"author":1,"featured_media":1552,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"_crdt_document":"","footnotes":""},"jetpack-portfolio-type":[],"jetpack-portfolio-tag":[],"class_list":["post-1696","jetpack-portfolio","type-jetpack-portfolio","status-publish","format-standard","has-post-thumbnail","hentry"],"yoast_head":"\n
Escalier de 23h23 - Sarah L\u00fcck<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sarahluck.com\/index.php\/portfolio\/escalier-de-23h23\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Escalier de 23h23 - Sarah L\u00fcck\" \/>\n<meta property=\"og:description\" content=\"Installation. Exposition Centre d’art contemporain Pontmain, 2022. 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